she’s the girl from the good earth and the high tree forest…

We were young once, it’s the common statement of the aging. Often said with a note of regret, longing or despair.

We were young once, it covers a multitude of desires, youth, energy, speed, resilience and endurance.

We were young once, a question, can I remember my youth, the time that the roadway was opening up and widening with many detours.

We were young once, a question, what has happened to the road, the detours, the diversions, the possibilities, now it is narrowing to a gradual inevitability.

It’s the way things go, the heady days of youth, the chaos, the energy, the disruption. It’s the way things should be.

Now our role has changed to that of guide, to support, to encourage the youthful to disrupt, to shake the boat, to capsize it if necessary, to rage against the status quo, not the band you can rage with them, well the early 70’s version.

Age however is a time for reflection, looking back as much as looking forward in anticipation.

We have been going through these massive totes of family and other photographs. We bought a fancy scanner so we can digitize them and perhaps get rid of the space consuming boxes. It’s kind of a sad task at times, there is something so special about handling those old fading pictures, the feel of the paper, the glossiness of the finish and the inevitability that some really great pictures are so blurred by lack of attention at the picture taking moment. They are irretrievable and never to be saved and now they may be heading for the shredder, of course they never could be saved, AI would help but that’s a facsimile of the moment not the real thing.

There are pictures of old girlfriends, college friends I no longer know where they are, school friends I see twice a year and documents of places and behaviors it may be better to forget. It’s easy to sanitize the past when the only evidence sits in a turquoise tote in the dining room. They are not on line or posted anywhere, unless I chose to do that. These moments exist as a memory a moment in time and these pictures, they can be easily expunged from existence without too much effort. Should they be though, is it good to show the young that we were young once too, we made mistakes, were joyful, danced in the dark and wore clothing that at best could be seen as a poor choice and by others a crime. Rock and Roll is not just for the young.

I’ve always been a candid(bad/enthusiastic) photographer, snapping photos when others were not necessarily aware or giving them a seconds notice. With phones this is easy, you can delete the offending snaps, with analog photography it was harder. The wait for prints and then the disappointment as you realize your ability, the limitations of the camera have all conspired to produce a mess. There are pictures I can see I thought would be spectacular that are ruined by lack of attention, many pictures of people staring into space or sleeping, some of landscapes I can no longer identify. I know that in my mind I was sure I would never forget this view or person. There are whole stacks of people I don’t recognize and then I found one of a dead friend in his prime laughing and pointing at something, I have no idea what he was seeing, the excitement in his face is palpable though.

The real joy though is in the documentation of a relationship and a life together. I have been thumbing through the old pictures of me and my wife’s early life together. It’s a document to love, consideration and at times patience, mostly on her part, as we navigated the insane idea that two people and then children occasional parents and now grandchildren should at times live together in a strange multi-generational experiment, add in several dogs and a cat and you have the (a) picture.

I look at these pictures and all I can think is we were so young what could we have been thinking? Of course we probably were not thinking as is the case when two early twenties human beings are in love, we were experiencing all sorts of things, most of them fun.

There’s this one picture of my wife getting into the car, we are somewhere in Northumbria, probably been hiking/strolling looking around and it fills me with the sense of possibility.

It feels like this was one of those perfect days/weeks. No cares only the road and a new thing around every corner. There’s a sense of joy, love and expectation in her eyes and her smile, it’s hard to reconcile someone looking at me that way, I am probably looking right back. Yes her neck was at that curious angle, no AI involved.

Each picture gets a closer look, that’s the Polo we rented, the background is the north east. Each viewing reveals new details.

This is from the same journey, somewhere in the north of England/Wales, the problem with old pictures is unless someone writes on them then you have to guess unless there is an identifiable feature. There she is perched on a small rock probably as the sand was wet no idea, of course it could’ve been to prove her superior balancing skills. It’s hard to know the time of day. Could be morning or evening, the fading of photographs will do strange things and confuse the light.

Of course much of this life has involved a soundtrack. This is undoubtedly the song that reminds me of my wife every time I hear it, none more so than when we heard Iain Matthews sing it live.

As we enter this new stage of life, it’s not old, thats for our parents, it’s not young that’s for our children and yet it’s still not the middle either there’s a recalibration, a preparation for slowing the working down if not the living. Oh how I truly wish we could manage to not work, to return to some semblance of those golden days of road trips, camping and freedom.

when the bottle gets empty it sure ain’t worth a dime…

Occasionally something so right happens, a moment in time and it floors you and you manage to realize the excitement of the first time you heard an album a song. Tonight as I played the bootleg series Vol 18. Through the Open Window. I got to side E and F. and had to take a breath. Suddenly the randomness of the universe aligned and I sat for twenty or so minutes in silence and listened. I flipped the record and listened for another twenty or so. Then I put the needle back in the groove and listened again.

I’m a black bat babe bangin on your window pane…

I’ve been trying to get my act together over the last couple of days, I got distracted by some photographs, more of that to come. I’ve been wandering in a some sort of weird fugue state, then this weekend I was going to get to go the beach and shout with my friends about music, that got cancelled by health issues for a friend wife so here I am adrift.

In order to ground myself I fumbled around for an interminable time trying to decide what to do, eventually I was led like to Wooden Ships Vol 2. apparently a collection of rarities and there I was thinking it was just the second album abut its the second of two volumes of rarities the first being called imaginatively Vol1. I believe have that somewhere.

I sat down to listen and was transported via sound to a dank/damp cellar somewhere on the outskirts of town where a band of threatening individuals in leather and oil stained denim where repeatedly playing the riff they knew, drilling insistently into my back brain. Twenty something minutes later I stood staggered to the record player and flipped the disc for side 2, which again transported me to that roadhouse somewhere along the Redwood Highway. The organ swirled and the guitar wailed and the drums pounded along as the bass held it all together. Another twenty minutes or so passed and things settled down as I replaced the record in its sleeve, what I was left with was the feeling I had been involved in something slightly dangerous, a little unsavory and undoubtedly fun. This is how the best rock and roll should leave you.

burning wheels of fiery red keep on trucking till we’re dead…

It could be smell of an herb as you add it to a stew, the rustle of fabric, the light as you walk out of the front door, the sound of children laughing or the barking of a dog somewhere in the distance. Suddenly you are somewhere else remembering the joys, pains, successes and failure of the past.

Other times there’s a sense of displacement, this week we went for displacement and disorientation.

This week as an experiment I have exclusively been playing Nonagon Infinity on loop in the car for every drive if I am going to play music. Today I extended that to my workspace which has caused concern from my work colleagues. At one point in the car I had to turn everything off to get myself to some sort of equilibrium. My work mates asked me to turn it off before I got to side two which to be fair to them is the most raucous insane part of the album. If only they’d held on.

The album sounds like a cross between Hawkwind, some sort of jazz odyssey shit and The Kinks, its driving, disorienting and confusing, melodic, brutal and confrontational. Its music made for the mosh pit. It’s relentless intensity builds and builds, until the midpoint when Mr Beat hits like a cooling spa on the edge of the desert, of course then you’re into the insanity of Evil Death Roll, then we hit some strange alien jazzerdelia and the whole thing ends with the chugging space blues of Road Train which sounds like the band you imagine rocking out in the desert to Mad Max.

This is an album of excess, over stimulation and all out rock. There are synths guitars, drums and crazed harmonicas, what more do you need. It’s a science fiction express train to insanity and beyond. It’s what happens if you don’t take the drugs before hyper space and it’s brilliant.

I’m gonna burn your bongos tonight…

It’s been 40 years. How did that happen?

This passed me by at the time as I was enamored with American bands and their neo-psychadelic country sounds, forgetting that there was a much more whimsical place for English psychedelia.

“I’m gonna burn your bongos tonight.” Is however one of the greatest single lines in UK popular music. It conjures up scenes of wrestling bongos from smelly hippies at Stonehenge in an anarchic display of the future overwhelming the past. We have ahead of us the great bongo bonfire of the vanities.

look up…

I was stood outside and saw this.

It’s that time of year things are running down and the sky gets more interesting.

I was moved to play this.

I think they have a certain atmosphere in common.

oooh I’m in heaven again…

There’s such a sense of satisfaction knowing Ritchie Blackmore played with Deep Purple again. There’s something organic about the MKII lineup and the way they all played together. I know it’s considered heavy rock/metal by some but it’s just great loud all hands to the pump fuck you head down and go for it rock and roll. Yes there’s a regret it didn’t happen when John Lord was alive but at least it happened. There a few other rock feuds would be good to see end or at least acknowledge that it can all be put aside for ten minutes.

Tonight I played this again and reminded myself what was so great about Purple in their prime. Yes the songs may last a week, there’s a certain pretentiousness around the call and response vocal guitar player thing at times. At no point in any song does it get boring and there’s always Paice holding the beat like the god of rock and roll he is.

So tonight I can sleep well knowing that some people can get over themselves and admit that that thing they had with their friends was special and should be celebrated.

I also defy anyone to find a finer song in the world than Lazy and Lords neo-classical phantom of the opera heading towards feedback intro is a thing of sheer beauty. The rest of the band also manage to take it over the top.

no ear fingers…

I’ve been really enjoying instrumental music recently, the slower and more reflective the better. Spafford Campbell fit the bill tonight. It’s allegedly folk, I guess there are fiddles and guitars and is that a banjo somewhere around all this?

Yes I know there are occasional vocals but I’m damned if I know what they’re singing about.

It’s folk music for a collapsing society, it has more in common with Godspeed You! Black Emperor than the Clancy’s. It’s drones and discord and melody and it needs to be played at volume.

There are definitely no fingers discernibly in ear here.

screaming souls in the night…

Of all the albums I have managed to acquire over the years there are a few that just demand attention from beginning to end and once you begin you’re in for the whole journey.

Hawkwind’s X In Search of Space. is one. It may even be my favorite Hawkwind album. Yes there’s no Lemmy but there is the space rock motorik beats and the electronics screech and scream and warble like lost souls in the night.

Shouldn’t Do That may be the greatest statement for the huddled masses ever written, a mesmeric space chant for the disenfranchised. A song for a society collapsing under authoritarian fear mongers a dystopian anthem for today, a timeless howl against the man, or just a great tune to get altered and sway. You chose. Or maybe it’s all real man.

What we need right now is to be saved by The Master of the Universe. It’s an incredibly coherent album from Hawkwind. Themes of collapse and decline throughout ending with what could be seen as hippy anthem but is closer to a disturbing Quatermass vision of the disenfranchised youth rebelling in the ruins.

It’s not a happy hippy album. It’s a stark meandering, disturbing stroll through the decline. Hypnotic, insistent and sounding as relevant today as in 1971. and it’s going to mess you up some days man.