So we have the turn table and some records, what next? It is obvious really, let’s go buy more records. Who even thought to really consider that question in any serious manner. Luckily I have a supremely patient wife who seems to understand the need to buy an album for the third time. Or maybe she was just too sick to really care today. Either way the die was cast.
So where to go? Luckily Portland potentially being the center of hipsterdom has may record stores selling vinyl by the pound, not to forget Goodwill after all. So off to brave the big city which is a lot easier since GPS became something nestling on my phone. I tried to con one of my kids into coming with me but one wanted to sleep after working an overnight and the other preferred schoolwork. So it was a solo journey, reminiscent of my teen vinyl buying years.
Off to Everyday Music on Sandy Blvd, I had never been in the vinyl section here before, usually buying cd’s, a much safer used purchase than fragile vinyl. The store was large and well laid out and easily navigated. I was however looking for a nostalgia fest maybe or something else than I got at least. Record stores used to be these fun loud flamboyant places with interested people working as well as odd balls, or maybe that was just Probe records on Button street. This is how I remember it looking. The repository of all that was cool about records in the day. I managed to buy Harper’s Lifemask, Fairport’s Moat on The Ledge and Give and Take by Here and Now all on the same day.
Before the internet the cork board by the door would tell you where and when the gig was for most bands nobody else wanted to see was. All of the staff were characters and would tell you how badly what you were buying sucked, or if you were lucky or hip enough that you happened to be the only person with any taste that had walked through the door this week. Even the main chain stores such as HMV or Virgin would have knowledgeable people who seemed to realize that they were being paid to listen to music and talk about it all day. Consequently the disappointment of hearing the depressed hipsters at Everyday music complain about how sad they are was not easily overcome. Yes they were pierced by enough hardware and had a dizzying array of tattoos, actually pretty normal for Portland, and tried so hard to be alternative but they did not really seem to realize just how cool their job really was.
Maybe the staff at the Beaverton store will be more fun.
However the important stuff, wow so may records all nicely arranged, new and used all together. Banks of 50c records that I was a little afraid of and most of the records in great quality and reasonably priced. As well as a new arrival section arranged by day of arrival. So I rummaged around for an hour, a few guys my age looking for all those things that they had given away or sold in the past and the young kids looking to discover something they missed as a teen, the joy of records. Out the window went all good intentions of sticking to the idea of albums that blew me away and I just started collecting vinyl to buy. Then I had to go back and put half of it all back, however for some reason I still ended up with three Jethro Tull albums, go figure.
Stills and Stills 2 – Stephen Stills, not quite on the list but maybe they should be.
Deja Vu – CSNY, of course it is on the list.
Below the Salt – Steeleye Span
Nine, and an odd compilation called Chronicles by Fairport Convention, Nine should be on any self respecting Fairport fans list.
Bursting Out, one of the great live albums, Songs from the Wood, Stormwatch, the first Tull album I ever bought, – Jethro Tull
Hergest Ridge – Mike Oldfield, no idea why apart from it was in perfect condition and everyone needs some Oldfield and it is better than Tubular Bells.
So two from the list if I ever get to writing it. Well I have got to 16 so far.
I first heard this album on the same day as I heard Belle and Sebastien’s Lazy Line Painter Jane and they have both stuck in my mind in a good way. So I guess that is the answer, if the record sticks with you for years then it is on the list, of course that leaves space for the Hollies Greatest Hits, which is not a bad thing.
Well it has a great cover. It is also a wonderfully naive, twisted album with some of the best use of trumpet and musical saw ever, despite the slightly desperate sixth form poetry it still manages to hold itself together barely. It reminds me of Julian Cope at his greatest but it is also very American with a vocalist in Jeff Mangum that sounds just about this side of sane. It is as idiosyncratic as it is wonderful, with an epic use of dissonance and melody almost simultaneously and a wonderful punk sensibility.
So there you have it, the first visit to a record store to buy vinyl in over twenty years and the first brand new album bought in twenty years or so. It is still exciting to hold a brand new record by the way, and they really seem to be making them so much better, it is a reassuringly solid feeling piece of plastic.