I’ve been listening to Neil Young for most of my life. I can pretty much find something worthwhile in all his twists and turns, we have been in the ditch together, had our classic moments, rusted and gone all folky and even dabbled with country together and tied on our blue suede shoes in a big fuck you to David Geffen as we tipped our pork pie hat.
There is however a period that is classic, those first four albums and the CSNY album Neil was pretty damn incapable of messing up an album. Following this he still managed to create the ditch and all it’s glory but he has been consistently dragging us through his psychedelic miasma, making rash decisions, abandoning albums, releasing the wrong album at the right time and in general being all ‘neil’ about things.
So this month we have been in the rust bucket and now we are all acoustic, the two polarities of Neil Young in one month. Young Shakespeare is similar to the Massey Hall release, the show was recorded three days later. It is exactly what you think it should be a flawless live album in the brief period of time between the release of After the Goldrush and before Harvest, all on acoustic guitar and piano. Neil is in a fine mood laughing with the audience and doing his best Bert Jansch impression at times on guitar.
I think I am in Neil Young overload a bit with five live L.P.’s to digest in one month, it may take some time and then I went and signed up for the Rust level on the archives that gives me access to all those movies he has made as well as being able to listen to the archives. I have it feels like been listening to nothing but Neil, maybe time for a change of diet.
There is something special about the A Man Need A Maid/Heart of Gold medley that elevates both songs.